Journey is an artwork comprised of a representation of a canoe, a tree and two oars – one damaged, symbolizing vulnerability or relapse; the other intact, symbolizing hope and determination. The canoe itself is a vessel of profound meaning, representing the healing journey individuals embark upon in their quest for recovery. It incarnates fundamental elements of the healing and self-discovery process: navigation, balance, self-confidence, connectedness, mutual respect and teamwork. The contrast between the damaged oar and the intact one invokes the fragility and inherent strengths associated with moving from addiction to wellness. The damaged oar symbolizes moments of vulnerability, relapse, or struggle the individual might experience on their journey, while the presence of the intact oar signals hope, determination, and commitment to change. The canoe is leaning on a canoe rest, an artificial support structure often found on portage trails to allow the traveler to rest. Its inclusion in the work symbolizes moments where individuals allow themselves to pause from the heavy workload of their healing journey so they can recharge and gather strength to continue healing and growing.

Memories and positive emotions evoked by canoe adventures contributed to the creation of Journey. Further inspiration was drawn from the strong connection New Brunswickers have to the canoe. Sharpe canoes are known world-wide, along with their association with salmon fishing on the Restigouche River. The Beaverbrook Art Gallery in Fredericton prominently exhibits the oldest birch bark canoe in Canada, built by members of the Sitansisk First Nation. Fredericton was also home to Chestnut Canoes during its heyday as the most prominent manufacturer of canoes in the British Commonwealth. 

Journey invites people from all walks of life to contemplate their own path. It ultimately symbolizes the transformative power of healing; grace in the face of adversity; and moving forward with resilience and hope.